![]() ![]() But do keep gain and effects to their required minimum, as too much can mask how well or badly you are playing. The choice of guitar or pickup doesn’t really matter here but since many of the guitarists mentioned are rock or fusion players, a certain amount of gain and slight delay and reverb will help you achieve a suitable tone to accompany the backing tracks. ![]() Get the toneĪmp settings: Gain: 6, Bass 6, Middle 9, Treble 7, Reverb 3 Make sure to follow the picking directions indicated on the score, as these are crucial to playing the examples correctly. This lesson’s examples and study piece show how economy picking can be used across a range of scale and arpeggio ideas. But in fact, sweep-picking was pioneered back in the 1950s by jazz guitar greats like Les Paul, Tal Farlow, Johnny Smith and Barney Kessel, who used the technique. So have a go at using alternate and economy picking, depending on what works best in any given situation. Many sweep-happy rock and metal electric guitar players use the technique primarily with triadic (root-third-fifth) arpeggios, such as straight major and minor, stacked in octaves. However, although there are many benefits to using economy picking, it can lack the articulation and definition of alternate picking. This technique is favoured by many fusion players who employ streams of semi-quavers and sextuplets in their phrasing. Many players will often combine economy picking with legato for an even more fluid sound and even less strain on the picking hand. Many players will often combine economy picking with legato for an even more fluid sound and even less strain on the picking hand One style of music that uses its own take on economy picking is gypsy jazz, with its most well-known exponent being the great Django Reinhardt. Other notable economy pickers are Eric Johnson, Jimmy Bruno, Yngwie Malmsteen and Les Paul. ![]()
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